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David Savona

A Day at the Cuban Trade Show

Posted: Feb 29, 2012 4:00pm ET

It was a bright, sunny day here in Havana, but the weather would have to wait. It was time for the Habanos Festival trade fair and seminars about Cuba and the world of Cuban cigars.

After a simple breakfast with hearty coffee (and another aficionado lighting up at 8 in the morning in the restaurant, with no complaints) Gordon Mott and I headed to the convention center in Miramar. We began walking around and getting the lay of the land.

The Habanos Festival is quite the international affair, with visitors from 70 countries. The trade fair and seminars take place at the Palacio de Convenciones, which is attached to the Hotel Palco. The trade fair is an interesting mix of booths with various products aimed at the many retailers from around the globe who attend.

There’s an intriguing mix of products, from high-quality humidors and jewelry to antique cigar labels, boxes and prints. It’s a mix ranging from the luxurious to the downright odd. One booth had an artistic rendering of a map of Cuba, where the island was represented by two (or three, it was hard to tell) intertwined naked women—I’m not sure that one is ready for the home or office.

Habanos, as can be expected, had the largest booth, with a display of the new cigars coming to market and a cigar roller showcasing the art of making a cigar by hand. There was also a book edition of Cuaba diademas measuring at least nine inches long that looked amazing.

We took seats in the seminars to listen to the presentations. Gordon’s Spanish is beautiful, so he didn’t need a translator, but I partook of the headsets and clicked onto the English feed. A row of interpreters above gave translations in English, French, Russian and German. I lit a Montecristo Edmundo, as the seminars allow smoking, and began to listen.

The featured speaker for the morning was Eusebio Leal Spengler, the historian of the city of Havana, who spoke emphatically at length (and without notes) about how tobacco was intertwined with the history of Cuba. He spoke colorfully and poetically (describing the Caribbean as a “necklace of islands”) and spoke against the demonization of tobacco despite the fact that he doesn’t smoke. “I am obligated as a man of Havana,” he said, “to defend the art of choice.” He received a standing ovation.

Cuaba diademas habanos festival.
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Cigars—Old and New—In Havana

Posted: Feb 29, 2012 12:00am ET

My first full day in Cuba is behind me. As I sit in my room pecking away at this blog, it’s a bit past midnight, and I’m reminiscing after a long, smoky start to my trip.

My first cigar of this Habanos Festival was one that’s been around for some time, a Montecristo Edmundo. I’ve long preferred its truncated cousin, the Petit Edmundo, but this Edmundo smoked beautifully, full of rich wood notes, touches of leather and a long, succulent finish. One of the best Edmundos I’ve smoked. It is a current production smoke and indicative of the high quality of new Cuban cigars.

I heard many people complain about the lack of cigars in shops, but the two I visited today had cigars in good supply. The Casa del Habano at the Meliá Habana was packed when I arrived, but the humidor had a decent supply of smokes. I chose a few cigars (more on those later) and was off to the next stop.

The Casa del Habano at the Meliá Cohiba hotel had decent stocks of cigars, including several boxes of Cohiba Behikes, which have been rare of late. I ran into Frederic Dechamps from the Casa del Habano in Belgium. He had just bought one of Cuba’s newest cigars, the H. Upmann Robusto. Each cigar is adorned with an elaborate secondary band commemorating Columbus’s journey across the Atlantic.

I was given one in the Casa del Habano at the Melia Cohiba this evening, and I puffed it in El Aljibe as we sat down to dinner. (You have to love the smoking laws in Havana.) It wasn’t so impressive at the start with tart notes, but it really turned into a lovely cigar about an inch or so in. The price is right, too; they were 76 CUC for a box of 10, or about $8 per cigar when you factor in the loss upon a dollar-for-CUC exchange.

In between all these new cigars, I had something very old. My friend José Antonio Candia set up a tasting with folks from James Fox Cigars in Dublin. They brought some cigars that were nearly as old as me, 40-plus-year-old Partagás Fox Seleccion No. 1s, made in the Conde 109 shape, which is a double corona with a slightly tapered tip. The wrapper was like fine silk, the draw sublime The cigars had a delicate start and picked up steam as the cigar progressed. You’ll hear more about that one in a later blog, and in Connoisseur’s Corner.

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Something New and Something Old in Santiago

Posted: Feb 24, 2012 12:00am ET

I’m in Santiago, Dominican Republic, attending the fifth annual ProCigar Festival. The weather is warm, the cigars are copious and everyone seems to be having a good time.

My first stop was the new MATASA factory, owned by the Quesada family. MATASA has been in Santiago since 1978, in the original Free Trade Zone, but after paying rent for nearly four decades and realizing it could never own a building there, the Quesadas decided to move the entire factory out to the Santiago suburb of Licey, where it had a leaf storage facility. “We had to raise the roof of a 100,000 square foot building,” Manuel Quesada told me as we fired up Quesada España cigars. “We’re still painting and hammering.”

The factory looked great to me—far more spacious and better laid out than the original MATASA factory, which had been expanded time and time again as the company grew over the years. Rollers were working on Fonsecas and Quesadas, and one talented worker wearing a New York Yankees hat and puffing on a fat cigar was rolling the artful Q Detat Molotov, a cigar shaped like a Molotov cocktail.

The factory has been rolling since the last week of January, and the last cigars at the old MATASA were rolled in November. The Quesadas made extra cigars at the end of the year to make up for the lack of production during the move.

Michael Herklots and Bill Sherman of Nat Sherman cigars led a deconstruction tasting of the new Nat Sherman Timeless, which is made by MATASA. The ProCigar group smoked the four filler components (three of them Dominican, one Nicaraguan) to see the differences in the types of tobaccos. All were quite different, despite being grown from the same seed, and that’s due to their placement on a tobacco plant. The Timeless is a tasty smoke. At the conclusion of the test (which turned the small room into a cloudy affair making it hard to see the speakers at the front) Sherman presented the Quesadas with a plaque commemorating the opening of the factory.

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Cuba’s Most Revered Tobacco Farm

Posted: Feb 22, 2012 12:00am ET

Visiting Havana is an amazing experience for a cigar smoker, but making the trek out to Pinar del Río to see Cuba’s prime tobacco growing region makes that experience all the more complete. I make my way out there roughly half the times I visit the island.

I traveled to Cuba four times in the past 14 months with Gordon Mott. You can read the fruits of our research in our Havana cover story, which is going up on our website all week at

Gordon’s fine pieces on the many hotels and restaurants in Cuba went up yesterday; my stories about Havana’s cigar shops and factories went up today, along with a story about Pinar del Río; and tomorrow we’re launching Gordon’s report on Cuba’s music scene and how to tour Old Havana. Gordon and I head back to Cuba next week for the Habanos Festival—if you’re one of the hundreds going, these stories can help you get the most out of Cuba.

Another story went up today: my Cuba Report from the same issue, and that’s the reason for this blog. The article came from one of those visits to Pinar del Río, specifically San Luis, and the best-known tobacco farm in Cuba, Cuchillas de Barbacoa.

I met with Hirochi Robaina, who is a well-known figure in the world of Cuban tobacco, and spent most of the day with him to learn more about him for the story. It was an important time for Hirochi: when we spoke, he had recently finished harvesting his first tobacco crop grown without the aid of his grandfather, the revered Alejandro Robaina. Hirochi had to face trouble in the fields. He planted very early, using a trick his grandfather taught him. He faced poor weather and then was challenged by the growers working on the farm, who wanted to replant. And he used a new organic fertilizer that hadn’t been employed in decades.

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A Four Kicks with Jon Huber

Posted: Feb 16, 2012 12:00am ET

Jon Huber made a visit to the Cigar Aficionado offices the other day. It had been far too long. Jon had been a principal at C.A.O. International Inc., and he left that company to form Crowned Heads LLC. Jon has been busy working with the rest of the Crowned Heads crew on Four Kicks, their first brand, which debuted late last year.

It’s a fine cigar brand, made by Ernesto Perez-Carrillo in the Dominican Republic. It’s Ernesto’s first brand made under contract for someone else.

Jon was in town to give Greg Mottola and myself a first look at the newest size in the Four Kicks line. In previous blogs I remarked how it was brave and bold for Huber and company to come out with old school cigar sizes that eschew the thick cigars so popular today. This new size, called Selección No. 5, is the thinnest yet.

The cigar is 6 1/2 inches long by 44 ring gauge, which would be classified as a lonsdale in our taste tests. The samples were stunning, really well made with mounted heads, beautifully stretched Ecuadoran Habano wrappers, Nicaraguan binders and Nicaraguan filler tobaccos. They were young, but tasty, with almond flavor, with a touch of cedar and nutmeg. As it burned, it grew earthier, and remained very balanced and easygoing.

As we smoked, I turned on the video camera and let Jon describe the Four Kicks philosophy, and to talk some more about the new cigar. Take a look.

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Old School Cigar Sizes

Posted: Feb 10, 2012 12:00am ET

My brother Carey walked into my smoking room on Sunday, sat down on one of the couches and opened up a beer. I handed him a Four Kicks Corona Gorda and we lit up, ready to watch the Super Bowl with a great group of friends.

“Nice cigar,” he said, a few puffs in. “I especially like how thin it is.”

For those of you who haven’t smoked one yet, the Four Kicks Corona Gorda isn’t all that thin—but it seems small compared to the fat cigars gaining popularity today. The smoke measures 5 5/8-inches-long with a 46 ring gauge. Made for Crowned Heads LLC by Ernesto Perez-Carrillo’s Tabacalera La Alianza S.A., the Corona Gorda scored 91 points in the December 6 Cigar Insider.

So why does a 46 seem thin? It’s because cigar smokers like my brother are getting used to looking at 60 ring gauge cigars. The Four Kicks he was smoking shares its dimensions with all Cuban corona gordas, which include such well-known smokes as the H. Upmann Magnum 46, the Hoyo de Monterrey Epicure No. 1, the Cohiba Siglo IV and the Punch Punch, long considered the benchmark size for the category.

“Gorda” is Spanish for fat, and when these sizes were created they were considered fat indeed, plumper than many other vitolas, or sizes, in the Cuban cigar portfolio. Ever pick up an antique cigar cutter and try to use it on a modern day cigar, like a 6 by 60? It won’t fit. Cigars, like just about everything around us (including ourselves) used to be smaller generations ago.

Kudos to the guys at Crowned Heads for using some old school sizes to make their new brand, and for taking the bold move of not including a 60 ring in their lineup.

So take another look at those 46 ring gauge smokes in your humidor—while they might seem skinny to you today, at one time, they were considered pleasantly plump.

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Holiday Hypocrisy

Posted: Dec 23, 2011 12:00am ET

Camacho Cigars, the company behind such superb cigar brands as Camacho Corojo and Room 101, has come under fire recently for its upcoming sponsorship of the Orange Bowl. Camacho, which is owned by Switzerland’s Davidoff of Geneva, inked a three-year deal with the Orange Bowl Festival earlier this month, and as part of the arrangement the company would create smoking lounges for adults who wished to enjoy a puff around game time.

Health advocates are not happy with this deal, and they are putting pressure on the Orange Bowl and the NCAA to drop Camacho as a sponsor. They fear this arrangement sends the wrong message to children, and that cigars should not be part of this game. You can read our story on the original protest here. Yesterday, Sens. Dick Durbin (D-Ill.) Frank R. Lautenberg (D-N.J.) and Richard Blumenthal (D-Conn.) joined the protest, sending letters announcing their opposition to having Camacho as an Orange Bowl sponsor.

This is hypocrisy at its worst. Camacho is one of 50 sponsors for the Orange Bowl and many make or promote products that are inappropriate for use by minors. Bacardi, the legendary rum and spirits company, is a Bowl sponsor. So is Stella Artois, the Belgian beer brand. So is Gold Coast Beverage Distributors, the largest beer wholesaler in Florida. Like Camacho, each of these companies sells legal products, for use by adults only.

What about gambling? The Florida Lottery is a sponsor of the Orange Bowl. Like smoking a cigar, or drinking a beer or a rum cocktail, gambling is a legal product that is entirely illegal for children.

Let’s get picky. Discover, the main bowl sponsor, is a credit card company. Are credit cards good for children? Last time I checked consumer debt in the United States was more than $2 trillion. Not good. And can you imagine a credit card in the hands of a child? How about the brands of fast food and snacks that are Orange Bowl sponsors? Taco Bell and Chipotle, Frito Lay and Coca-Cola, Reese’s Peanut Butter Cups—not exactly sprouts and poached chicken. I’m not sure those are appropriate for children either.

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A Day of Thanks

Posted: Nov 23, 2011 12:00am ET

Tomorrow is Thanksgiving here in the United States, a day when we gather with family over a succulent meal of turkey and all the trimmings, share old and new stories and drink some good wine, watch football on the television and smoke cigars on the patio.

I’m thankful for many things this year. Thankful for my wife and son, who bring so much joy into my world, and thankful for all the family members who will be around me, especially when I think of those who are gone, namely my father, who died two years ago.

I’ll be dining with at least one cigar lover tomorrow. My father-in-law was a cigar smoker long before I met him (the aroma of a burning, premium cigar evokes fond memories of childhood for my wife) and whenever the two of us are together we make some time for a smoke, and perhaps a bit of Scotch, bourbon or Cognac, just to take the chill off. After the dinner (or maybe before, depending on the day) the two of us will take a seat outside at my sister-in-law’s (non-smoking) house and light cigars while we watch the kids roam around the yard chasing a football. I’m sure some of the other diners will join us as we puff away.

I hope your Thanksgiving is a fine one. May your turkey be moist, may the gravy be warm, may your favorite team win tomorrow and may your cigars complete the day.

Happy Thanksgiving.

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Back from the Big Smoke

Posted: Nov 4, 2011 12:00am ET

We’re back from Las Vegas, back from the biggest event from Cigar Aficionado magazine—the Las Vegas Big Smoke Weekend. This year some 4,000 cigar lovers from around the world came together to meet the biggest stars in the cigar business.

I say around the world with sincerity. The Vegas Big Smoke has long been an international affair. While most attendees come from the United States—with a hearty representation of Californians—the show always has good international representation, but this year it was particularly strong. There were visitors from Indonesia (long trip), Canada, Russia, the United Kingdom and a huge contingent from Brazil. I spoke several times to the Brazilian guys, and they were having a phenomenal time.

The best part of the show for me are the seminars. Gordon Mott and I led a variety of panels on various aspects of the cigar business on Saturday morning. We covered Cuba, tobacco hybrids, cigar sizes, and featured a tasting of Cigar Aficionado’s No. 2, 3 and 4 cigars of the year from 2010. Each one rated 95 points, classic on our 100 point scale. It was a treat to share them with our sold-out audience of 500 people.

Some of you couldn’t make the seminars because they sold out about six weeks prior to the show. For those of you who missed what happened, click here to read all about the seminars on Saturday and Sunday.

One of the new things we did this year was to talk about the show via our Twitter feed ( We came up with the hashtag for the Big Smoke (#BigSmoke) and tweeted as much as possible from the show, and followed the people who attended and gave us their feedback, which was overwhelmingly positive.

As I sit here puffing on a cigar while writing this blog (you didn’t think I smoked myself out in Vegas, did you?) I’m still a bit tired from the weekend. Every night goes a little longer in Las Vegas, every occasion seems right for one more dram of Scotch, every venue is appropriate for just one more cigar. It’s never easy coming back to reality, but it’s always a pleasure to be at the Big Smoke in Las Vegas.

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A Bit of Ybor History

Posted: Oct 19, 2011 12:00am ET

I’m in Ybor City, Florida, the onetime cigar capital of the world. Ybor, part of the west Florida city of Tampa, was built upon cigars. A melting pot community of Cubans, Spanish and Italians made more cigars here than anyplace else, some 500 million a year at its peak. The city was once dominated by proud, huge cigar factories made of brick, each standing several stories tall. Most have crumbled or have been converted into something else. Office space. Nightclubs. A chain Italian restaurant. A precious few still have something to do with cigars.

One of those is the American headquarters of Arturo Fuente cigars. The building, which opened in 1895, originally crafted Charles The Great cigars. In the 1960s, Arturo Fuente and his son Carlos Fuente Jr. bought the factory to make it their new home for cigar production. For many years, the Fuentes made millions of cigars here, most by machine but many by hand. The days when the Fuentes made cigars in the United States are long behind them, but they still own the building in Ybor.

When I visited the Fuentes this week in Tampa, the building was in the midst of serious reconstruction. Cigars haven’t been made here for a long, long time, and most of the building was empty for several years, so much of it fell into disrepair.

The Fuentes have decided to restore the building to its former glory from the late 1800s. Some of the process has already been done, such as rebuilding the brick steps at the entrance, which had been cemented over at some point in history, rebuilding the chimneys on the roof and digging out mountains of waste from pigeons that were roosting in the attic. The efforts are coming along nicely and have resulted in some surprises. For one, they discovered that the bricks inside the building were not red, as originally thought, but yellow. “What have you done to my bricks?” Carlos Fuente Sr. asked the head contractor. The best guess is that the builders chose yellow brick to create a brighter interior, as there were no electric lights when the building was created.

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