Posted: Feb 10, 2012 12:00am ET
My
brother Carey walked into my smoking room on Sunday, sat down on one of
the couches and opened up a beer. I handed him a Four Kicks Corona
Gorda and we lit up, ready to watch the Super Bowl with a great group
of friends.
“Nice cigar,” he said, a few puffs in. “I especially like how thin it is.”
For
those of you who haven’t smoked one yet, the Four Kicks Corona Gorda
isn’t all that thin—but it seems small compared to the fat cigars
gaining popularity today. The smoke measures 5 5/8-inches-long with a 46
ring gauge. Made for Crowned Heads LLC by Ernesto Perez-Carrillo’s
Tabacalera La Alianza S.A., the Corona Gorda scored 91 points in the
December 6 Cigar Insider .
So
why does a 46 seem thin? It’s because cigar smokers like my brother are
getting used to looking at 60 ring gauge cigars. The Four Kicks he was
smoking shares its dimensions with all Cuban corona gordas, which
include such well-known smokes as the H. Upmann Magnum 46, the Hoyo de
Monterrey Epicure No. 1, the Cohiba Siglo IV and the Punch Punch, long
considered the benchmark size for the category.
“Gorda”
is Spanish for fat, and when these sizes were created they were
considered fat indeed, plumper than many other vitolas , or sizes, in the
Cuban cigar portfolio. Ever pick up an antique cigar cutter and try to
use it on a modern day cigar, like a 6 by 60? It won’t fit. Cigars, like
just about everything around us (including ourselves) used to be
smaller generations ago.
Kudos
to the guys at Crowned Heads for using some old school sizes to make
their new brand, and for taking the bold move of not including a 60 ring
in their lineup.
So
take another look at those 46 ring gauge smokes in your humidor—while
they might seem skinny to you today, at one time, they were considered
pleasantly plump.
Posted: Dec 23, 2011 12:00am ET
Camacho Cigars, the company behind such superb cigar brands as Camacho Corojo and Room 101, has come under fire recently for its upcoming sponsorship of the Orange Bowl. Camacho, which is owned by Switzerland’s Davidoff of Geneva, inked a three-year deal with the Orange Bowl Festival earlier this month, and as part of the arrangement the company would create smoking lounges for adults who wished to enjoy a puff around game time. Health advocates are not happy with this deal, and they are putting pressure on the Orange Bowl and the NCAA to drop Camacho as a sponsor. They fear this arrangement sends the wrong message to children, and that cigars should not be part of this game. You can read our story on the original protest here . Yesterday, Sens. Dick Durbin (D-Ill.) Frank R. Lautenberg (D-N.J.) and Richard Blumenthal (D-Conn.) joined the protest, sending letters announcing their opposition to having Camacho as an Orange Bowl sponsor. This is hypocrisy at its worst. Camacho is one of 50 sponsors for the Orange Bowl and many make or promote products that are inappropriate for use by minors. Bacardi, the legendary rum and spirits company, is a Bowl sponsor. So is Stella Artois, the Belgian beer brand. So is Gold Coast Beverage Distributors, the largest beer wholesaler in Florida. Like Camacho, each of these companies sells legal products, for use by adults only. What about gambling? The Florida Lottery is a sponsor of the Orange Bowl. Like smoking a cigar, or drinking a beer or a rum cocktail, gambling is a legal product that is entirely illegal for children. Let’s get picky. Discover, the main bowl sponsor, is a credit card company. Are credit cards good for children? Last time I checked consumer debt in the United States was more than $2 trillion. Not good. And can you imagine a credit card in the hands of a child? How about the brands of fast food and snacks that are Orange Bowl sponsors? Taco Bell and Chipotle, Frito Lay and Coca-Cola, Reese’s Peanut Butter Cups—not exactly sprouts and poached chicken. I’m not sure those are appropriate for children either.
Posted: Nov 23, 2011 12:00am ET
Tomorrow
is Thanksgiving here in the United States, a day when we gather with
family over a succulent meal of turkey and all the trimmings, share old
and new stories and drink some good wine, watch football on the
television and smoke cigars on the patio.
I’m
thankful for many things this year. Thankful for my wife and son, who
bring so much joy into my world, and thankful for all the family members
who will be around me, especially when I think of those who are gone,
namely my father, who died two years ago. I’ll
be dining with at least one cigar lover tomorrow. My father-in-law was a
cigar smoker long before I met him (the aroma of a burning, premium
cigar evokes fond memories of childhood for my wife) and whenever the
two of us are together we make some time for a smoke, and perhaps a bit
of Scotch, bourbon or Cognac, just to take the chill off. After the
dinner (or maybe before, depending on the day) the two of us will take a
seat outside at my sister-in-law’s (non-smoking) house and light cigars
while we watch the kids roam around the yard chasing a football. I’m
sure some of the other diners will join us as we puff away. I
hope your Thanksgiving is a fine one. May your turkey be moist, may the
gravy be warm, may your favorite team win tomorrow and may your cigars
complete the day. Happy Thanksgiving.
Posted: Nov 4, 2011 12:00am ET
We’re
back from Las Vegas, back from the biggest event from Cigar Aficionado
magazine—the Las Vegas Big Smoke Weekend. This year some 4,000 cigar
lovers from around the world came together to meet the biggest stars in
the cigar business.
I
say around the world with sincerity. The Vegas Big Smoke has long been
an international affair. While most attendees come from the United
States—with a hearty representation of Californians—the show always has
good international representation, but this year it was particularly
strong. There were visitors from Indonesia (long trip), Canada, Russia,
the United Kingdom and a huge contingent from Brazil. I spoke several
times to the Brazilian guys, and they were having a phenomenal time. The
best part of the show for me are the seminars. Gordon Mott and I led a
variety of panels on various aspects of the cigar business on Saturday
morning. We covered Cuba, tobacco hybrids, cigar sizes, and featured a
tasting of Cigar Aficionado ’s No. 2, 3 and 4 cigars of the year from
2010. Each one rated 95 points, classic on our 100 point scale. It was a
treat to share them with our sold-out audience of 500 people. Some
of you couldn’t make the seminars because they sold out about six weeks
prior to the show. For those of you who missed what happened, click here to read all about the seminars on Saturday and Sunday. One
of the new things we did this year was to talk about the show via our
Twitter feed (twitter.com/CigarAficMag). We came up with the hashtag for
the Big Smoke (#BigSmoke ) and tweeted as much as possible from the
show, and followed the people who attended and gave us their feedback,
which was overwhelmingly positive. As
I sit here puffing on a cigar while writing this blog (you didn’t think
I smoked myself out in Vegas, did you?) I’m still a bit tired from the
weekend. Every night goes a little longer in Las Vegas, every occasion
seems right for one more dram of Scotch, every venue is appropriate for
just one more cigar. It’s never easy coming back to reality, but it’s
always a pleasure to be at the Big Smoke in Las Vegas.
Posted: Oct 19, 2011 12:00am ET
I’m
in Ybor City, Florida, the onetime cigar capital of the world. Ybor,
part of the west Florida city of Tampa, was built upon cigars. A melting
pot community of Cubans, Spanish and Italians made more cigars here
than anyplace else, some 500 million a year at its peak. The city was
once dominated by proud, huge cigar factories made of brick, each
standing several stories tall. Most have crumbled or have been converted
into something else. Office space. Nightclubs. A chain Italian
restaurant. A precious few still have something to do with cigars. One
of those is the American headquarters of Arturo Fuente cigars. The
building, which opened in 1895, originally crafted Charles The Great
cigars. In the 1960s, Arturo Fuente and his son Carlos Fuente Jr. bought
the factory to make it their new home for cigar production. For many
years, the Fuentes made millions of cigars here, most by machine but
many by hand. The days when the Fuentes made cigars in the United States
are long behind them, but they still own the building in Ybor. When
I visited the Fuentes this week in Tampa, the building was in the midst
of serious reconstruction. Cigars haven’t been made here for a long,
long time, and most of the building was empty for several years, so much
of it fell into disrepair. The
Fuentes have decided to restore the building to its former glory from
the late 1800s. Some of the process has already been done, such as
rebuilding the brick steps at the entrance, which had been cemented over
at some point in history, rebuilding the chimneys on the roof and
digging out mountains of waste from pigeons that were roosting in the
attic. The efforts are coming along nicely and have resulted in some
surprises. For one, they discovered that the bricks inside the building
were not red, as originally thought, but yellow. “What have you done to
my bricks?” Carlos Fuente Sr. asked the head contractor. The best guess
is that the builders chose yellow brick to create a brighter interior,
as there were no electric lights when the building was created.
Posted: Oct 14, 2011 12:00am ET
I’m
quite impressed with the new Edmundo Dantes Conde 54, a Regional
Edition Cuban cigar designed only for sale in Mexico. It’s not a big
surprise. When the Edmundo Dantes Conde 109 came out in 2007, it was
utterly amazing, so when we heard of a new Edmundo Dantes we had high
hopes indeed. So far, in non-blind tastings, the cigar has lived up to
its expectations. You can read about how good it is in Gordon Mott’s
blog from earlier this week .
I’m
quite horrified, however, with the cigar’s packaging. It’s not the box
itself—a lovely boite nature box, with an ornate brooch clasp and
dovetailed corners, and a simple but stately pair of triangles making up
the Edmudo Dantes logo—but what has been done to it. More than half of
it is covered in unsightly warnings. On
the top is a seven-by-three-inch photograph of a little girl crying
over what appears to be a dead body. The bottom is plastered with a
black sticker with bright yellow type. I shot a video so you can
see—take a look farther down the page. This
is something new and troubling for those who buy cigars in Mexico. Any
box of cigars sold in that country must now be covered in a series of
warnings that take up 60 percent of the surface area of the box. The
photo on the top is not always the same. In addition to the crying
girl, there’s also a dead rat and a photograph of quite unseemly teeth. As
bad as the top image is, the bottom bothers me even more. The sticker
covers everything, including the Cuban date and factory codes. Cigar
boxes are pieces of art, prized by collectors. They also contain
essential information that helps people determine what is fake and what
is real. Stickers such as these not only are unseemly, they make it
difficult for collectors to get the most out of their cigars.
Posted: Oct 7, 2011 12:00am ET
I
reached for a cigar from my tasting humidor today and almost pulled a
muscle. It was six inches long with a ring gauge well north of 60,
perhaps as big as 64. Ultra-fat cigars such as this one are burning up
the charts, selling amazingly well, but count me as a fan of smaller
smokes. While they aren’t huge sellers, most serious smokers I talk to
share my love for small cigars, particularly petit coronas. It’s a size I
find myself reaching for increasingly often. Here
at Cigar Aficionado , we define a petit corona as a cigar measuring no
longer than 5 1/4 inches long, and no thicker than 42. The Cuban
standard calls for a cigar that measures a shade over 5 inches long with
a 42 ring gauge. When
I was in Cuba in February with Marvin R. Shanken and Gordon Mott for
the Habanos Festival, we each happened on a five-pack of Partagás Mille
Fleurs. These are simple, short Cuban petit coronas but they provide a
great little kick for a short smoke. I found myself grabbing one over
and over again. Gordon even lit one up immediately after breakfast one
day. Last
week, Matt Booth, the man behind the Room 101 cigar brand, came by the
office for a visit. I immediately reached for the box of Room 101
Namakubi Papa Chulo cigars that I have in my humidor. These little
smokes are ideal for most situations. They are 4 inches long with a ring
gauge of 42. They’re short enough for a quick, casual smoke but thick
enough to have serious flavor. In short, you can smoke them in just
about any occasion. Matt loves them, too. One
of my favorite all-time petits is the Padilla 1932 La Perla. These
little cigars came in boxes of 50, and I went through more than a few.
When I would open the humidor to select a cigar, that size just called
to me—the petit corona size seems to work for just about every occasion. Don’t
get me wrong—I’m not giving up on Double Coronas or Robustos, I love
Pyramids and Churchills and lanceros always bring a smile to my face.
But more and more often I try to reach for a petit corona.
Posted: Sep 2, 2011 12:00am ET
I
recently returned from a little vacation with the family, and I'm
getting back in the swing of things here at the office. That means
getting back to smoking cigars. During my trip, I took a seven-day
break. Every now and then, I don't mind missing a day (or a few days) of
puffing cigars. One
part of my trip included a visit to Hershey, Pennsylvania, and the
amusement park known as Hershey Park. It's a fun place, especially if
you have a child who enjoys roller coasters. Hershey Park has 11 of
them. The two toughest ones were Fahrenheit, a steel monster with a 97
degree drop (you can see it in the picture), and Storm Runner, a beast
that goes zero to 72 miles per hour in about two seconds and has a drop
of 180 feet. You
can't walk around Hershey Park smoking cigars. (Things have changed
quite a bit since I was a kid.) But the park at least provides places to
people who smoke, designated smoking areas where smoking is allowed. I
saw several when I was there. These are wooden huts, built in gazebo
style, with an open door and room inside and out. Not lots of room,
certainly nothing elegant, but at least there was a place.
My
son saw people puffing cigarettes, and told me I should light a cigar
there. I explained that's not what cigar smoking is all about. When I
smoke for pleasure, I want to be in a relaxed, comfortable environment,
not huddled in an unlit shack without seats. Not rushing. When I puff
for pleasure, I'm not smoking a cigar because my body says I have to,
I'm smoking a cigar because I want to. Were
there times that I wanted to have a cigar while I was there? Sure. But I
can go a few days without puffing. I smoke more cigars than most
people, but I don't wake up in the morning with a burning urge for that
first cigar, and if I happen to not light one up in a given day I don't
get antsy. You don't tend to see cigar smokers huddled outside of
buildings here in New York City, stealing a puff on their lunch break.
Cigar smoking is for relaxing. For contemplation. For conversation. It's
not about the smoke, it's something else.
Posted: Jul 19, 2011 12:00am ET
Those
who say "it's not the heat, it's the humidity," have never sat outside
in Las Vegas in 105 degree heat. Trust me, it's the heat. But I'm not
here in Las Vegas to enjoy the (all too copious) sunshine and blazing
temperatures, I'm here to attend the biggest trade show in the premium
cigar industry. It's
the International Premium Cigar & Pipe Retailers trade show, and it
opened on Monday. If you have trade show experience, you know it
involves booths with people selling a product (in this case great
cigars, and items that can fill cigar stores, such as lighters,
humidors, walking sticks) and people walking around hoping to buy (in
this case, people who own retail stores.) The booths range from the
simple--just a table or two displaying some product--to the ornate. There
are a few booths with cars on display (Oliva, Drew Estate and Phillips
& King), Padrón has painted Millennium humidors on display behind
glass, Alec Bradley has a bar. New companies try to attract attention
with various methods, including spokesmodels in slinky dresses. One
booth even has an unfortunate actor dressed up as a Roman Centurion,
holding a sword toward the ceiling. I'm here with the editorial team from Cigar Aficionado
to cut through the fluff and find out about the cigars, for today, the
IPCPR trade show is the launching point for many of the new cigars that
come out each year. Yesterday I smoked up a storm to get a few first
impressions of what's coming out soon. I noticed a few new smokes with Connecticut wrappers, which follows the finding from our last issue of Cigar Insider ,
which contained our survey of U.S. cigar retailers. Many noticed the
trend in new cigars with Connecticut wrappers, and some said Connecticut
is back. (The cigar companies known for selling Connecticut-wrapped
cigars contend Connecticut has never left, but there is some newfound
buzz about the golden-hued wrapper, which is known for a mild taste.)
The La Gloria Cubana Retro Especiale has a Connecticut seed wrapper
grown in Honduras, wrapped around a more traditional La Gloria blend. I
puffed it and found it quite pleasant. Ashton has a new version of San
Cristobal made with Ecuador Connecticut wrapper called San Cristobal
Elegancia. Sathya Levin of Ashton told me that it was meant for those
who found San Cristobal too powerful. The EPC Cigar Co., owned by
Ernesto Perez-Carrillo, is selling its version of Connecticut called EP
Carrillo New Wave Connecticut, which debuted before the show. It had
some dry wood notes, definitely milder than traditional San Cristobals.